A function is a rule that changes input into output A relation is any set of ordered pairs A function is defined as a set of ordered pairs in which no two ordered pairs have the same element A function must give exactly one unique output for each input Also called a mapping or simply a map The set of input numbers is called the domain The set of output numbers is called the range The set of all possible outputs is called the co-domain The range is They are slope-intercept, point-slope, and standard form. There are certain situations where it is better to use one way than another to solve a problem. It is important to understand and comprehend the mechanics of these three forms so that you know what form to use when solving a problem.
Posts 6, I quoted Srinivas directly on his tuning, although I took it from a bizarre little essay on the history of the mandolin which he wrote, and which I found to be so nonfactual and so fantastic that I wonder if I should trust any part of it.
To this particular point, he said: Originally Posted by The Mandolin has got four pairs of strings 8 strings. With these pairs of strings it is not possible to use it for Carnatic music.
It is difficult to produce Gamakas the prolonged noteswhich are very important to bring out the nuances of classical music in the instrument in vocal style. So I replaced these four pairs of strings with four single strings and started practicing Carnatic music.
And on my father's advice I added another string, the fifth for the base Mandra sthayi. One usually lines out tunings low to high. Who knows what he meant by this? In any case, his recordings don't sound as though he uses a tuning anything like this at all, either low to high, or otherwise.
The pitches aren't important, but the intervals are. And it's probably what he really uses. In the aftermath of a similar thread a month or two ago here, I relistened to a bunch of Srinivas stuff and refreshed my memory why I don't listen to him.
It's not very good music, period. The electric cheapness of the sound negates all the subtlety I associate with good Indian classical music. Even if he was playing an acoustic instrument that had the capacity for a broader palette of nuances, his ideas aren't very good and his execution and intonation are just so-so.
There are so many better musicians in India. The real puzzle for me is why people are so willing to buy into the idea that he's playing a mandolin. It's a toy guitar. His gamakas are prolonged by electronics.
Italians prolong theirs with tremolo. Even other Indian musicians who play instruments like santoor manage to do the same:Legislation Opposed by the National Fraternal Order of Police.
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