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As an effort to secure economic, social, and cultural equality with white citizens, the Renaissance years were a proving period for black composers and performers.
Black Music in the Harlem Renaissance explores black music in the United States and England during the s and its relationship to other arts of the time. The first collection on the subject, Black Music in the Harlem Renaissance seeks to revise previous assumptions about music during this era.
The book features essays on various subjects including musical theatre, Duke Ellington, black music and musicians in England, concert singers and the interrelationships between black painters and music.
In addition, the book includes a music bibliography of works composed during the period. No general history of American music, excepting Eileen Southern's The Music of Black Americans, has discussed the s Harlem Renaissance as the focal point for a worldwide movement that attempted, first, to establish the significance of black culture and, second, to widen the scope of black contribution to culture at large.
In his illuminating introductory essay, editor Samuel Floyd, who is also CBM director, argues that, although the Harlem Renaissance may have been literary in origin, music became the most decisive vehicle for achieving its aims.
Not just classical music and the concert spiritual, but jazz and the black musical revues as well, made significant contributions toward increasing the publics respect for black culture. The articles that follow are of equally high quality.
A bibliography by Dominique-Rene de Lerma listing concert pieces by 14 Harlem Renaissance composers concludes this enlightening volume.
Recommended for all libraries. The musicians whose compositions, performances, and lives are described worked primarily in the United States and England; the book includes a bibliography of works composed from to An overview by the editor sets the scene very well, and there follow essays on Alain Locke's writing; vocal concert music; composers Robert Nathaniel Dett, William Grant Still, Florence Price and William Dawson; black musical theatre; Duke Ellington; interaction between writers and the music, and between art and music; and, rather surprisingly, the Negro renaissance in England.
One may conclude that jazz was lucky to survive as it did the attentions of so many schooled intellectuals.Music in the Harlem Renaissance: An Overview Vindication as a Thematic Principle in the Writings of Alain Locke on the Music of Black Americans Vocal Concert Music in the Harlem RenaissancePrice: $ In terms of current Afro-American popular music and the sources from which it has progressed—jazz, ragtime, swing, blues, boogie-woogie, and be-bop—this poem on contemporary Harlem, like be.
Black music in the Harlem Renaissance: a collection of essays Black music in the Harlem Renaissance: a collection of essays.
by Floyd, Samuel A. Publication date Topics African Americans, Music, Harlem Renaissance. Publisher Knoxville: University of Tennessee Press. Collection inlibrary;. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context.
Du Bois published his collection of 14 essays named, “The Souls of Black Folk”, in This essays helps showed the intellect of black race. He was a literary and cultural inspiration that helped activate the Harlem Renaissance and the powerful art about the African American experience.
This work provides an in-depth look at the role of black music within the Harlem Renaissance movement, suggesting its primacy to Renaissance philosophy and practice.
Floyd holds that the music of this period was also the source of certain ambivalent attitudes on the part of the black leadership. The book features essays on various subjects including musical theatre, Duke Ellington, black music.